wata igarashi’s ciphers ep (mdg006) out in march 2016 is getting reworked. the artist involved were carefully chosen together with wata igarashi after some friendly exchanges during his last visit in europe. we want to deeply thank nuel, yves de mey, orphx, shawn o’sullivan, r²&#960,,,, and ruff cherry for taking part to this project and giving their amazing contribute! the white vinyl comes with full artwork cover.

the fourth participant in the gost instrument series is ivan erofeev hailing from siberia’s omsk. ivan was producing and releasing music as aleph for the last five years and this is the first ever record issued under his birth name. the author’s distinctive, monotonus yet liquid sound emerges in these two tracks - deep “h island” and polyrhythmic “sahiba”. framed with field recordings made by the man himself, this two-tracker is a hypnotic and atmospheric journey into ivan’s very own creative universe.

after last year’s massive “brainbox” album, de:tuned presents the 7th and final installment “unboxed brain” which contains 3 excellent re-interpretations by future/past (aka kirk degiorgio), mark broom and the black dog of selected tracks off the album and an exclusive new track by the future sound of london. yet again, mastered by matt colton (alchemy mastering) and related artwork by designer kevin foakes from openmind (aka strictly kev, dj food from ninja tune). both kirk degiorgio and mark broom rework b12’s “worlds end”. kirk degiorgio, who makes a rare appearance as future/past, increases the energy levels and turns the original into a dance floor bomb. broom’s version heals back to a more electro and breakbeat vibe by adding some deep ballsy and stretched out beats. on the flipside, scanner’s “eros” gets the black dog treatment. the illustrious uk outfit strips down the original into an eerie futuristic soundscape. lastly, the future sound of london brings us an intense piece of sound design: sit back and let the music take control, stay tuned!

12 inch hand stamped sleeve limited to 150 >> dj support : ricardo villalobos, cassy, d julz
more than 10 years after a limited pressing that caused huge stirs around the world, -house ya- is back on wax ! championned by ricardo villalobos at every gig last year, but also cassy, d julz, claude monnet or even bob sinclar, this one has a large spectrum appeal and is pleasing all kind of crowds. along the bomb, you get 2 more exclusive secret weapons, a very effective reboot of -house of god- for the strongheads and an acid house anthem derived from a sneak track that keeps inviting you to the deepest trip. let me tell you this one is a huge release, and very limited too. don t sleep on it.
vinyl only...

whether it is hip hop,techno, electro boogie, new beat, italo, jungle, reggae, house or chill out. though, all those different sounds and styles do not tear this album apart. it s a bit of a miracle that it feels so flawless for what happens between the appetizing -level one- and the final track -the last march-.

new label funky fungi preps its debut release for this march, featuring two original tracks from label boss georg stuby and his production trio the gravy underground. hailing from zurich switzerland, georg stuby is a longstanding house and techno dj, producer and teacher. his new creation, funky fungi is a vinyl based record label working as an outlet for georg and his friends to release their music. aside from the solo release, this ep also features the gravy underground, a collaborative project with georg’s friends christopher lawrenz & jonas, who already remixed one of georg’s tracks on his last formresonance ep. the opening track ‘metro bass’ has a dusty analog feel and delves into the depths with shuffling percussion and reverberated effects which spiral out of control, all saturated in white noise giving off the spatial aesthetic associated with an echo chamber. next up, the gravy underground production trio create a mystical journey in ‘keep it gravy’, as minimal kicks chug alongside off kilter hats and twisted vocal snippets that are delicately layered with field recordings.

new year new r zone. this time the revivalist rave crew, brutal techno lovers and broken beat brothers-whoever they may be-serve up three more tantalising tracks that are designed simply for high dance floor impact. greatest enemy is first and lives in a deep space world where jungliest percussion and pummelling drums are offset with swirling pads and warm synths. it s an emotional roller coaster that gets followed up by spike, a manic and prickly speaker blaster with wild melodies and rave stylings all barely continued by punch and off beat kick drums. last of all, faramore agent is in your face with its frazzled bass, skittish percussion and vocal stabs all panning about left and right. one again this is brilliantly all over the place and impossibly visceral music designed to devastate all who hear it

“new american monsters” is the splitted-vinyl debut of the last post punk revelations at oráculo records... both from the states, dark gray houses and prudence presented in 2016 their first digital ep’s... now it is available for the very first time on vinyl edition.

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excellent relaxed / deep space disco (cosmic) with dubby flavour, vinyl is selected (unmixed) by junior boys

10th release on fasrat is the debut record of mr yo so hailing from the west pomerania region of poland (same as his label mate das komplex), rafal reich is an experienced musician. from playing piano in modern jazz groups to woodwinds in a brass band and synths in his home studio, his music displays rare sensibility and an ear for lovely melodies. delicious brings together six tracks recorded during last few years, from dreamy new age-ish soundtracks to proper balearic sunrise/sunset anthems, with obvious echoes of 70s lords of synth. cheesy, yes, but its this kind of rich, mature, delicious cheese we all like, dont we?

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the fifth instalment of get physicals body language mix series comes courtesy of chateau flight, aka gilbert cohen and nicolas chaix. including exclusive remixes and tracks from fox n wolf, henrik schwarz and chateau flight themselves. nicolas and gilbert first joined forces in 1996, and over the last years they ve made quite a name for themselves as producers and remixers, not to mention djs and live performers.

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willkommen zur vierten trainingseinheit bei getphysical !! es verteilen die gymnastikbälle patrice bäumel, elektrochemie, italoboyz, einzelkind vs meat, jona, daniel mehlhart, ida engberg & david west, sowie williams.

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excellent hypnotic groovin tribal / techhouse album... produced by dj t together with thomas schumacher

bqd040.1 is a collection of remixes the label released during its early years. back then, the label intended to back up every release with a remix. the rhadoo remix was not just an amazing addition to pherox’s “gabrielle” track, but it was also featured on an ep released with new graphics. buck delivered an amazing interpretation of danilo schneider’s summer track “l’ecole”, that’s still very much a favourite at the label. last but not least, laurine frost’s remix of dana & nvelope’s “flowers”, one of dana’s first released tracks. frost gave the original a rich soundscape an extraordinary vibe. all of these remixes meant something special to the label, and now they’re all here for you to enjoy on one record…

review ornate music continues in its mission to reach out to the freshest talent in the house and techno scene by shining a light on emergent german talent faune, following last years stellar releases by ka one & st-sene and homepark. thus far, jakob panthels production as faune has been spotted on the soundscape versions label, while under his own name he has produced two albums released digitally on crystalline days. most recently, he delivered the four-track isvatten ep to tuesday slump, which operates out of his native munich. as well as his rising release schedule, he has been appearing frequently on the circuit in munich and berlin, performing alongside the likes of a made up sound, stefan jòs and skudge. on this ep panthel delivers three tracks of deep, hardware-powered techno with a keen dancefloor instinct, fitting right in to the ethos of ornate and marking another step forward for faune.

with the warmth of spring yet to bloom in full, the cold distant sun still reaches planet sundae, casting shadows upon tomorrow. as al kassian s encrusted diamonds on jupiter is still in orbit from last year, planet sundae takes a step into 2017 with a debut release from a far eastern constellation. we are proud to present you, dear reader, with the first part of a double dipped ep by opal sunn. these selected works by hiroaki oba and al kassian were recorded between 2015-16 in berlin, aimed squarely at that rift between the stark light of the everyday and the flurry of the dance floor.

from paris with techno! taapion records is back with the third compilation: four tracks made by french capital city with bambounou, shl0mo & awb, pvnv & kas:st.
first come the traitor from one of the strongest parisian artist of these last years. the track has a psychedelic and breaked rhythm, giving a feeling of a strange and deep dream with melancholic pads on top.
shl0mo & awb, two of the three label heads, are standing on a2 with blind. they are building up a travel through cosmic drops and unstoppable big room rythms: a timeless witsful.
just flip the record and you’ll find another taapion records owner on b1: pvnv. he is travelling again in deep and atmospheric techno. an amazing journey into the center of a dream where techno is a religion. the newcomer kas:st is closing the record on b2. with noumene they decided to recreate their own vision of taapion records. with that amazing voicepad, the french duo catches you on the techno highway and gives you strong emotions.

das werk etabliert shed endgültig als einen der interessantesten und substanziellsten elektronik-künstler unserer zeit. es ist von einer haltung beseelt, die shed in die tradition von stilistischen grenzgängern wie ryuichi sakamoto, brian eno und carsten nicolai stellt. stilistisch findet shed indes zu einer hochindividuellen sprache in der elektronischen musik, die ganz und gar für sich selbst steht. the last experiment ist ein überaus homogenes gesamtwerk, eine meditation, deren stilistische verortung weniger wichtig erscheint als die künstlerische gesamtaussage.

the guys at pole jam vinyl have spent most of the last year involved in an undying quest to seek out new, exciting music. they would neither be stopped by the russian tundras nor the deserts of australia in their search. funnily enough, it was actually down-under they discovered sydney based duo falqo with their brilliantly chilled and melodic number across the sea . then, it really was across the sea they went, all the way to the ukraine, picking up sasha anastasov s laidback, groovy smasher sea for two . next up was a much shorter trip to moscow to collect gayana, a band very much on the rise whose since the night has been perfectly reinterpreted by pole jam s very own st. petersburg based all-stars klar&pf. pioneerball is the solo project of tesla boy s lead guitarist who makes his second appearance on pole jam vinyl. this time pioneerball contributes the stunning opening track deltaplane , a track influenced by obscure russian cinematic soundtracks. it s combined perfectly with a compelling disco groove, jazzy melodies and organic strings that will make your heart melt.

repress 2017 , allez! as the curtains come down on another crazy summer of love, apollonia drop their latest release courtesy of io mulen - the ukranian rude boy who appeared on the label at the beginning of the year with ‘unknown to the unknown’. he’s back with a hefty six-track package which is sure to please his fans, and win him a whole new army of supporters. we get straight to business with the first track, ‘rdm37’, one of those trusty apollonia bouncing bombs. skittish beats work off a sublime groove, while io keeps the background full of interesting sounds, boings, cheeps and all manner of whimsical effects, introducing more and more as the track progresses. by the midpoint you’re so gripped by the track that your whole body is moving uncontrollably, super glued to the rhythm. next up, it’s ‘xdt54’ coming through with a deep, persuasive bassline that jigs around in the low end luring you into its web. simple, polished percussive elements keep things moving at a pace while subtle keys and barely-there vocals add further layers to this catchy little number. the third track in on this lengthy ep is ‘mpc13’, a walk on the sensual side. vocal snippets are interspersed among sultry pads, skipping four to the floor beats and a sleazy b-line to create a delectable slice of dance floor naughtiness. this one flirts with you as it writhes around, taking you ever deeper…four tracks in we have ‘zgb41’, another alluring cut that has all the hallmarks of a deep house classic. those shimmering pads, a bassline that feels like it was born in nineties chicago, diamond-cut beats and a general feeling of what we would call ‘true house music’. there’s soul, there’s funk and there’s realness, what more can you ask for?ypt58’ keeps us locked in to that hypnotic groove with an insistent b-line holding things down - together with the infectious rhythm cultivated by the drum arrangement, it’s a killer combo. put those together with the smooth atmospherics plus synth lines staggering in and out of the background and you’ve got yourself a roller. last but definitely not least is ‘zxy22’, a wistful slice of technoid funk which has a delicate melody at its foundation. as it develops we get sucked in to layer upon layer of beauty, from the analogue low end to the electric guitar riff – each layer complementing the other and creating a symphony of sounds that acts as a perfect way to close out the ep and will no doubt end plenty of dj sets, when it’s released. so monsieur io (mulen) returns to apollonia with an instant classic, make sure you snap it up right away. magnifique!

the last couple of years have been huge for pomo, going from a relatively obscure canadian producer to releasing his debut ep on hw&w, remixing for the likes of janet jackson and mark ronson, producing am i wrong? on anderson paak s debt album and touring the globe with disclosure as their opening act. bastard jazz has commissioned pomo to be next in line for the fourth volume of their tempo dreams compilation series, following on the heels of the hotly contested soul clap compiled vol. 3. as with other tempo dreams records, pomo has curated a slick and well polished album full of exclusive tracks from friends and collaborators such as lindsay lowend, aloka, exmag, syre, daniel crawford, fvlcrvm and more. touching on the shimmering nudisco sound, plodding deep electronic vibes, funky instrumental hip-hop, and even a hint of drum n bass, tempo dreams vol. 4 takes it s rightful place in the series as one of the most forward thinking compilations showcasing emerging young talent.

overmono return to xl recordings with their second ep in march 2017. arla ii is the follow up to last year s debut arla ep and further crystallizes the duo s immense & innovative sound. this latest 6-tracker from ed & tom russell (known respectively for their solo tessela and truss projects) carries things forward from its predecessor in underscoring overmono as a fully formed & ongoing project. . nstead of searching for commonalities between their earlier individual work, overmono combines the russells artistic talents in order to reach the spaces between ambient, techno & uk hardcore dynamics that few current acts are capable of reaching. born of the brothers collective creative impulse and staking out its own defined place in the contemporary landscape of electronic music, overmono are firmly amongst those pushing the form into new and exciting places. all of this is now also being explored in a live setting. having made their debut at krakow s experimental electronic music festival, unsound in october 2016, overmono will be performing a number of live and dj dates throughout 2017.

the second 7inch release from the dirty dubsters camp which features chip fu & screechy dan on vocals. last 7inch (special request ep) sold out fast. this time producer bazza ranks (dirty dubsters) has enlisted uk reggae/dancehall/junglist veteran top cat on the b-side for a fun rework of a classic riddim

growth is about adaptation, existing in transit, and nourishing flux. it gives us a reason to move on to our next project, challenges us, and feeds our creative hunger.
sona elango, as the multi-talented elaquent, captures a catalogue of experiences and feelings that span time zones from over the better part of 2016. elaquent has created a reflective sound weaving themes of travel and personal growth into the core of his music. worst case scenario is a record with roots in europe and japan, inspired by moments of reflection in hostels, airports, and trains.

* livity sound are very happy to announce the return of forest drive west to the label, following up last years * system / show them* 12 inch.
* this time, the smoke laced atmospherics and broken rhythms are reconfigured for maximum impact on jinx , whilst scanners subtler late night grooves and grit laden percussion produce a melancholic ebb and flow.

in the last two years, paul régimbeau had put his most personal and earliest musical project mondkopf in stand-by mode. the rich arrangement work that defined his sound wasn’t fitting his desire of simplistic intensity anymore. his different collaborations (autrenoir, violent magic orchestra with vampilla & pete swanson, foudre!, oiseaux-tempêtes) forced him to explore new aspects of playing electronic music like a regular band member. the young producer was experimenting being a musician and embracing the experience. but after a year without composing, things changed on the tragic night of november 13th.
on this very night, the parisian set up machines he had acquired in the last few months and started improvising what became the first song on his new album: “they fall, but you don’t”. since that moment, paul regularly spent nights experimenting and recording what he felt at the time. while previous records reflected months of fine-tuning, these songs represent the mood of one evening, one night, the ones when you surrender yourself to the melancholy of the moment. much like a diary, the album is a compilation of these moments that escape reality in a chaotic and dark year.

an object resists changing its state of motion with inertia. what pushes back must then be even more vigorous in order to create a uid movement. an example of the force that embodies this dynamic can be found clearly on the appropriately titled inertia, aiken’s much anticipated return to chronicle. the spanish artist has been spending years honing his craft, focusing on sharp, distinct sounds that create a pure sense of kinetic energy. the title track of the ep bolsters a erce disarray of carefully (de)constructed atonal synthwork and a rhythm section that is set to detonate. it is then followed by “axial”, a track that stays as true to modular miscalculations as it does to stripped down techno, combining both in a subliminal cessation of sanity. however aiken isn’t done there. he continues with “magnetism”, which throws a brick in the glass of conventionality with its earth-shaking layers of textured momentum. phased pads then wash over “soul drama”, bringing the entire experience to an emotionally laced denouement. after the potency of his last record on chronicle as well as his releases on imprints such as his own label timeline and the spanish powerhouse semantica, inertia marks a de nitive step forward for an already exceptionally de ned artist.

as we roll into a brand new year bass culture keeps the pressure high with a funk-filled new three-track ep from one of germany’s finest, sebo k. the berliner has been entrenched in his city’s vibrant scene since the nineties, when he was playing breakbeat and jungle. in fact, there’s a nod towards his early days on the ‘brock wild’ ep, along with some sultry funk. head of his own label, scenario, and curator of parties under the same name, sebo k has also produced music for a long list of some of the world’s most influential underground labels and now he steps up to bass culture with this sleek collection. the title track is a steady roller with hefty bass rumbling deep below sturdy beats. the groove is funky and low slung, swirling pads mesmerise you as soulful female vocals raise your vibration. the track is punctuated by an iconic sample of uk reggae star top cat, which was used in several early jungle tracks in the mid-nineties and now again on sebo’s killer track.flip the record over for side b, which kicks off with ‘aftershock’, another sweet groove with jazzy hues, more punchy percussion and a warm, simmering undercurrent. as the track evolves, techy notes are added to its potent mix and we get a wonderful mix of traditional sounds and more futuristic effects. last but not least is ‘foliage patterns’, a sensual cut straight out of the us school of deep house. this is one that will be spun by all the deep house masters no doubt, with all the elements you need to inject some bounce into the dance floor yet still touch its soul. as we said, sebo k is one of germany’s finest, a versatile producer and dj who demonstrates exactly why he remains one of the nation’s most consistent and respected artists. make sure you add the ‘brock wild’ ep to your collection, it’s a must!

for their first release of 2017, phuture shock excursions venture further afield with an accomplished remix package featuring two reworks of nubian mindz(colin lindo) soulful house gem somebody else – which appeared in its original form on last years excursions 3 split ep.

toy tonics mushroom house series brings together different shades of afro-weirdo-psychedelic vibes in dance music. all tracks have been made exclusively for toy tonics. the musical range is wide: the third ep goes from arabic guitars to nubian chants and looots of percussions. the bass drum is four-on-the-floor, but switches from midtempo (kiwi: we are here) to classic new york lofi disco grooves (ponty mython) the other 2 tracks on the ep feature an emptier vibe: less toms more drum machines. more techno. red axes deliever probably one of their weirdest works. their munk rework is pure craziness. the melodies come from another space. the last track on the ep is made by old toy tonics friends from milano: the barking dogs. they teamed up with tom trago in the basement studio of the great record store they run in milan: serendeepity records. they are known for selling obscure, but classy music for dance floors and thats what they do when the make music on their own. like on your high: an obscure groove meets a sloppy bassline and stoned vocals.

late last year music for dreams released the digital album -debut- by bongo entp. this passion project from veteran studio session player jacob andersen brought us an unexpectedly fresh take on south american music traditions. on this new vinyl release, the project is both revisited and expanded upon. cherry picking some of the grooviest cuts from the album for this ep, we also get remix treatments from well sourced collaborators selvagem & carrot green. both hailing from brazil, these producers certainly know how to work latin percussion on a dancefloor. taking on the dreamy cover version of henri mancini’s classic -lujón- (original included too), carrot green ups the tempo and wrangles the elements of the original into something completely different. adding a house kick and dark acid undertones, he takes you on a wet trip with lots of twists and turns. the production duo of selvagem manage something similar with one of the looser bongo entp. jams. the original -foto feita do aviaõ is a jazzy scat sinaalong tune. in selvagem’s hands, it turns into an epic cosmic disco groover, locked into place by a muscular baseline. the vocal chants of the original are here, but used in a lower key and more sparingly to punctuate the bounce of the rhythm. the vinyl includes two other album highlights - the cafe del mar classic -el rey de pollo- , a santana-style chill-out affair featuring mikkel nordsø of bombay hotel fame and finally the moody -spanish winter- with its robotic reggae-like groove and syrup-thick synthesizers bubbling in a bittersweet fashion. a superb package.

nous horizon is yukseks great studio album comeback, 5 years after his last album. yukseks characteristic sound, midway between post-disco, house and pop, shines through on its various tracks. even more than on his last album, living on the edge of time, yuksek shows his talent as a singer. nous horizon is an album of mostly duets, invitations to sing together (break my heart, sunrise, sweet addiction, stay) featuring greek singer monika, french pop bands her, juveniles and roman rappak (from band breton) his new melodies are sunnier than before his beats and production more subtle.

the young roman artist emiliano morini, hidden in the shadows, reaches his individual project second goal. after debuting with his first ep in the electronic music scene, which also included a collaboration with ed frimann (an already known character of the roman scene) emiliano shows increased maturity through this refined and elegant work. a not necessarily dancefloor oriented straight cash, combined by extremely pleasent sounds, makes his last ep also usable for a home listening session. the ep consists in 4 tracks, each one clearly mirror of a sensitive and deep soul: -deep fusion- is a high tension piece with a submerged but impetuous roaring bassline. -ocean- that could be almost called a jazz track, full of human presence because of a seem live played ride and a lead that sounds like the result of improvisation. on the b side, we find instead a slightly more -club- dimension, without anyhow the loss of musicality. -techno mod- is a tribute to the best acid techno surrounded by an amniotic sea of pads. -vinyl track 2a- portically closes the work with loads of hypnosis and melancholy sounds enclosed in the same box.

uk deep house legend nail returns to monologues records for a full release after his sublime decisions featured on the dialogue vol. 2 various artists 12- at the end of last year. ever consistent, he delivers two deliciously deep gems. voodoo is a low-down chugger, chunky beats doing battle with disco and soul samples in hypnotic effect. on wid it also oozes soul in its vocal sample and twinkling keys, a garage tinge to its groove. g. markus steps up for the remix of voodoo , keeping things rolling and injecting a big groove of a bassline into the proceedings.

after releasing the last train to marzahn ep in 2016, im a cliche boss cosmo vitelli is back with the labels first release of 2017, cliche066.

almost 20 years later, the fog is remixed and will be re-released on limited edition vinyl.
junk project are the masters of trippy acid techno for over two decades now. they placed their unique signature on the fog and the result is a deep driving acid techno burner.
oliver kucera’s remix takes no prisoners and he busts out a fat 909 and 303 sound.
belgium’s long time producers trax x vs sinesweeper need no introduction. their large number of acid releases set fire to many dancefloors and their remix of the fog is no exception.
last but not least, roger van lunteren s remix takes it to a more relaxing level. drift away on the deep detroit sound of the early days.

palma strike back with the third release on their paltrx series. to cut a long story short, this is how a slapstick jam sessions recorded last spring in lyon ended up in producing two techno and 90 s power house influenced tracks on the first side and, on the flip, a deeper cosmic journey including most probably a message from outer-space.

josé james is reborn as a powerful voice in contemporary r&b on “love in a time of madness”. even for an artist as creatively restless as james, “love in a time of madness” is something new: an r&b focused foray into moody soul, electronic pop, and trap-addled beats, with the occasional influence of african folk, american gospel and minneapolitan funk. and though james’ voice is no less agile and his ear no less adventurous, this is also his most relatable, daresay sexiest work yet, detailing love’s ups and downs without holding back an ounce of emotion.

this will be the last main records ltd. release - so make sure you get some copies! the final release comes around on coloured vinyl!

hotflush welcome lara wehbie aka blursome to the ranks with her debut ep “rendition of you”. raised in north carolina and currently residing in brooklyn, wehbie has come a long way since beginning to work on music in 2011 as a way of channeling her diagnosed depression and anxiety. she describes her work as a transitional darkness, something she says defined her sound even before she could manage the software she uses to make it. in her own words, “rendition of you ep signifies major transitions in my life over the past year and how my environment truly played a role in handling situations. it s a testament to how much happier i am now than i used to be. i still struggle but i m truly thankful for the influences i have around me that have made me a better individual and artist.” along the way she has attended the red bull music academy bass camp in 2015, and after an appearance on scuba s 2016 fabric mix, she debuts on the label with an experimental six track ep. side a of -rendition of you- introduces listeners to her experimental use of vocals and heavy percussive influences from the left field genre. side b dives straight into dance floor material with pounding kicks and and interjecting vocals, but then slowly winds down into a more melancholic ending with piercing synths rattling through to the last drop.

(180 gr vinyl incl. cd) token is pleased to announce the sophomore album from sigha. metabolism represents an arrival: the artist offers his definitive statement on a production aesthetic that has been in development over the last few years.

after a hiatus of some months we are back with the follow up to soulphictions live jamz ep, three tracks straight from his set and tested over the last months. covering the whole range with an intro-like track, some slow simmering blues meditation and a funky gem to round off a perfect new arrival in your vinyl-crate! thanks for purchasing a real copy!

its a pleasure to introduce tony rainwater, undoubtedly the most productive and creative savage weve come across recently. see usually we dont do this, lehult is a crew affair, but this guy left us no choice. being a music enthusiast, dj and dancer for a long time, tony has only most recently picked up producing his own music, yet at a stunning rate: when we first asked him for a demo, three months after he started producing, he swiftly dropped us a set of twenty-five tracks, another set of fifty more soon followed. his productions are straight rough edged, no-prisoners-taken jams, combining samples from the most far-flung corners of his eclectic music collection. his magical patchwork wild style is on full display on his debut rockberry jam ep for lehult. the a-side takes us through the lighter side of his repertoire with the title tracks slow building house groove, some dizzy medieval monk grooves on to all the world and seductive r&b on lay it on the line. on the flip operalight irresistible groove and black dream flowers provide some darker moments, before alone closes on a soft note. the vinyl version includes an extra goodie after the runouts. tony is now a fixed member of the crew already and were proud to have him and his crazy energy on the team. this wont be the last youll hear of him.

there’s not a lot to tell about the project glow in the dark by a certain harry miller. only perhaps we can state that with these eight tracks at hand harry miller accomplished probably the most enchanting album of the still quite young year. just when we wanted to dismiss the short-dated genre of chillwave wistfully, “future bliss” comes along with a bewitching sound hailing from an optimistic but cranky future. already the opening track “step one” with its vocal samples and its spoken word intro is futuristic soul full of affirmation of life pillowed on a synth bedding smoothed to the max up to its edges. but also the following seven tracks spread infectious positive vibes all around. the magic of glow in the dark’s tracks is energized mostly by miller’s delicate way of treating his various samples, a wary manner one usually only shows when picking up a guitar. and unlike sample based music feeding from hiphop his tracks are completely free from any sort of nostalgia, because all of his songs are designed for the future through and through. “future bliss” is one hell of a joy ride, from the first note to the last tone. the neon funk of “1987”, the broken beat of “7 billion = 1”, the synth pop of “the last dance” and in general, all of the eight tracks could be little, but great hymns on their own. but only in its entirety they sparkle this fathomless ingeniousness hidden in glow in the dark. in the end it seems to be wiser that one has as little background information as possible to be able to lose oneself fully in this “future bliss”.

new years deal - last copies left - only 1 per customer - limited 5 track - 12 inch edition
features remixes from unkle, ewan pearson, tom furse, roman flügel (part of alter ego), lindstrom and prins thomas...
presented by telekom electronic beats

nice price deal !!! finally the time has come for this special edition from >the room<, a 12inch masterpiece created by >el cartel<. probably you may want to know, who >el cartel< are? well, no more and no less than the 5 best producers from colombia: jose m & tacoman, figueroa & obando, and matheo velez. during the last 2 years this guys have been developing and amazing identity and this was the perfect occasion to joining forces and drop this marvelous ep that sets colombia house and techno essence as a one you wouldnt want to miss from now on. at the same time >the room< established itself as a solid platform for this upcoming wave of fresh sounds and artists that blends the native rhythms of south america with the electronic music vanguard. medellin is known as the >electronic< capital from colombia, and has become a reference for all the international artists who visited the country. this ep reveals the essence of how they party over there, diving from funky techouse to darky tech, passing through classic house sounds always keeping the high vibe >el cartel< guarantee you a full >body moving<. the 3 tracks has been designed for the dance floor and as you go through them you will find it gets better a better.

nice price deal !!! nice price deal !!! nice price deal !!! the city of bologna (bolo for locals) has been always a crucial junction for the underground music scene in italy. over the last few years a small group of bad boys has started to fill the streets with a distinctive and modern interpretion of house music. we are here to represent that sound. we are bolo represent

after releasing a string of various artist 12s la peña is a regular in any favourite djs record bag. now its time for the next step.

the bxr label was born in 1992 and is still a recognisable global brand for techno music. during the last 20 years, the label has launched the careers of a number of very well-known djs and producers such as mauro picotto, mario più and gigi d agostino.